rain in my heart update mark
Which questioned the showing of Nigel s death (one of the four subjects and one that pat away). Watson states from the very beginning of the film that he is working with the only four patients who have agreed my intrusions and me filming their hell. In the moment where Vanda passes out from over drinking, and we see Watson check her pulse, to me I felt as if he was concerned, he didnt sit back and observe her in a blackened out state, he checked on her, he was her responsibility at that moment. An example could be when Vanda talks about the monsters in her head, one of the monsters being her abusive father, that pushed her into the terrifying world of self-harm. For example, Vanda(I think its her name) points at her head and say it is there. This scene is perhaps one of the more uncomfortable in the film as Watson is merely documenting Vandas relapse back to alcohol and the range of mood swings she encounters. The consent was given while the participants were fully aware of what they were agreeing to, which makes it difficult to accuse Paul Watson of having really exploited his subjects. And it tells us a lot; it is educational, eye opening and informative. But Ive never felt like Watson exploited his subjects. Sometimes during the film I felt like I wanted to intervene in order to stop what the interviewees were struggling with while telling their stories. It was really uncomfortable scene to me, Paul trully showed the seriousness of alcohalism and it must influence to the audience. 17,029 pages were read in the last minute. I feel that Paul Watson did exploit his subjects to some extent. If Watson couldnt do that, it wouldve been a pointless project. Nigel, 49, has been dry for ten years, but the damage he has inflicted on his liver is irreversible. To clarify, I dont think hes exploiting anyone in this film. Post Thanks / Like Thanks (Given) 0 Thanks (Received) 0 Likes (Given) 0 Likes (Received) 0 (LogOut/ Rain in my Heart Documentary which follows four alcohol abusers - Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 - from the impoverished Medway towns of north Kent. Nonetheless, I think that Paul Watsons work is justifiable and I do not consider him to be selfish. The most obvious example is the scene where Vanda (being drunk) tells Paul about the monsters in her head, even though she did not want to talk about that when she was sober. Download Secret Cat Forest v. Name : Secret Cat Forest : Update : Jun 7, 2022: Version : 1. He made it clear through out the film that he was never sure whether he should be filming his subjects or whether he should, at some points, be turning the camera off. He faced their situations with the most possible respect. Comments KNWYRRTS says For one the subjects were extremely vulnerable which raises the question on whether they were in the right state of mind to consent to being filmed and telling their story. Personally, I would much rather watch Robert Winstons documentary series on the human body which ended with the filming of a mans death, from cancer, than go Watsons questionable film techniques. The decision to include this part of Vandas drunk dialogue is one that is certainly questionable, especially since we are not given evidence as to whether or not she did consent to the inclusion once sober. It serves its purpose of portraying the realities of alcoholism, and at times may seem harsh, but in doing so creates an ugly truth that otherwise wouldnt be seen. Rain In My Heart is an extremely educational film to watch. As with the film, this documentary presents some uncomfortable and hard to bear realities. As the director said himself My job is to explain, not entertain. Of the four, two die whilst in hospital and a third dies within five . All Watsons subjects agreed to being filmed whilst they were drunk before the filming commenced, and so the question is not should Watson have kept filming?, but rather should Watson have included that part of the footage?. Also while researching I found a Guardian article discussing the film. Rain in My Heart over steps the line between subject and film-maker relationship and Paul Watson in the end exploits his subjects. Indeed, there are many moments when one questions the ethics of his filming, however I believe that it is simply a matter of distinguishing whether or not the capturing of such harsh realities is in itself, exploitative. Men's Journal is a rugged and refined lifestyle publication covering the coolest new gear, luxury and adventure travel, food and drink, health and fitness, and more. Once Watson sees this he is distinctively appalled and shocked that Vanda, after promising in a previous shot that she would fight to stay sober in the future, has gone back on her words and is drunk again. family and friends. Thus exploiting their vulnerability to further push their weakness and end up with footage that will strike the audiences attention and maybe even get better ratings. If we are to look at films that exploit horrors/suffering then we must idenfity the certain aesthetics and language that are used to do this. Alcoholism is a very sensitive subject for some and as a viewer I felt he was exploiting his subjects; to a certain extent. I wanted to look away and the only reason I didnt was because I felt (as i think Watson does) an obligation to make a point of the four subjects publicized suffering. This is just one example of the reaction that Watsons Rain in My Heart provoked; Not something that is watched and easily forgotten about. This is a bit more than just explaining the distress the subjects are going through. But theres a film within and around the film, one that Steven Spielberg didnt make but that he or someone else should have made: Spielbergs List, the story of the casting call for the actresses who would be getting undressed and going into the gas chamber that turns out to be a shower. Whilst considering the methods that Watson used to gain the footage and despite my previous comments being slightly negative, i do believe he was being somewhat ethical. A prime example of this in the documentary was when Vanda (under the influence of alcohol) decided to share her demons and reasons for her addiction. The documentary was quite raw as Watson did show his subjects when they were at their most vulnerable, when they had no real control of what they were doing. It is a difficult film to watch because of the subject matter it deals with. Since 2016 we have been able to harvest 15 Bucks over the magical 200 inch mark, many eclipsing 215 inches and two bucks over 245 inches. I think this leads them to be manipulated easily. Check out our rain in my heart selection for the very best in unique or custom, handmade pieces from our shops. Watson is not overly invasive at any point, and if anything my only criticism would be that he sometimes gives too much insight into how he feels about what is happening during filming, which I find unnecessary. Critical and disbelieving responses after giving personal information in a safe space, can cause as much pain and loneliness as the original abuse. Alluding to the culture of exploitning woman, as well as Spielbergs film being a commercial (and one which ends with a very colourful, affirming ending) intent makes it a machine absording actresses and horrors for the output of satisfying drama. Explaining hell it is. The editing in this documentary played a huge part in how the audience saw and formed views about the subjects that Paul Watson was filming. 0. The intrusion before we learn of sexual abuse is fitting because it prepares us for the horrible, rather than let the scene with Vanda play out suddenly for shock value. He puts himself in the film to explain how he felt at the time, allowing the audience to be involved in his own personal emotions whilst watching his film. Penny recalls being so scared. Rain in my Heart (Full). A good example of his moral doubts is when he asks himself Am I an ambulance chaser? and is a clear way of showing how documentary makers may react with barely contained glee when they get material of extreme situation that can make good TV Surely, this would mean that his documentary would attract more viewings but at least that would mean that more and more people would learn and be warned about the effects of alcoholism. So with saying that, I was satisfied with the way that Watson handled his participants. I didnt expect Rain in my Hearts to emotionally affect me as much as it did, though we were warned. I feel he mistakes this forced friendliness by asking more and more personal questions as he continues to film her. That we cant see others be in such a position because we wouldnt want ourselves to be shown in such a state. RAIN IN MY HEART. This is the only area where I can see possible wrongdoing on Watsons behalf. Although, there are several moments when this filmmaker and subject relationship is close to breach, he retains his role of confidentiality and recognizes that the subject may not be too sober to make such ethical decisions of what they would like in the final cut or not. I think to use the word exploitative to describe the techniques used by Watson to film Rain in my Heart upon his subjects is an unfair judgment. I do feel that in a way Paul Watson has exploited all of his subjects in this film. Paul Watson has none of this. It follows 4 alcoholics from the hospital to their homes. Thus creating awareness, insight into the medical world and the rising figures of binge drinking, alcohol abuse and its rippling consequences. Play online or download to listen offline free - in HD audio, only on JioSaavn. It is clear to me throughout, both when talking to his subjects and when talking to the camera itself that he becomes both emotionally involved and also continuously checks that he is keeping to his promises. Its an accrtate reflection of the film, filled out with music (sometimes exciting rock) atmospheric and stylized dramatic reconstruction of events, and many many many self-conscious and elaborate shots. Some of you may felt that Sunday's documentary was a bit light, a little bit like eating candy floss, no substance. He witnessed some horrific scenes throughout filming and only once (that I can recall) did he step in to hand Mark a sick bucket and express disappointment to Venda for her choosing to buy a bottle of vodka. Overall I felt as if Paul Watson didnt exploit his subjects, they all consented to being observed and he used that to create a telling and shocking encounter with those suffering from alcoholism. Another point worth making is that every person has a different view of whats going too far. To argue my point further, there is a particular example from Rain In My Heart that exemplifies this problem. Play over 265 million tracks for free on SoundCloud. RAIN IN MY HEART BOWY Rock 1,125Shazams play full song Get up to 5 months free of Apple Music Share OVERVIEW LYRICS PLAY FULL SONG Connect with Apple Music. Then again, as Watson argues: If some of us dont record it, none of us will know about it.. However, I do not think that Watson intentionally tried to exploit his subjects. As an audience member I am conflicted as to how satisfied I am with how Watson deals with accusations about him exploiting the audience. To this statement Vanda agrees and understands the relationship between the two of them. Nervous about designing and ordering your card online? Its probably doing far more good than bad, just in terms of getting the reality of alcoholism out there. In The Cove (2009) we needed to see how they got the cameras where they did, but in this film I felt that Watson should have left his comments for the bonus DVD. Rain In My Heart, was a very touching and eye opening film. I find it hard to imagine a way Watson could have made this film without the, sometimes unjust, use of the subjects. However, from what I saw in the film, Watson does take advantages on his subjects. As much as rain can cause happiness, there are times when this phenomenon can cause distress. He made this film to show people about the effects of alcoholism, and I think he achieved his goal. The fact that two of participants died during filming is grim testimony to the illness of alcoholism. 'Fires were started' (1943)may easily come across as simply a fictional film due to the stylistic use of non-diagetic sound and scripted narrative. It was graphic, saddening and an uncomfortable viewing but I was overwhelmed by its message. Things which have been considered problematic in Watsons Rain In My Heart include: informed consent from his subjects, the argument of whether or not the filmmaker should intervene in the filming process, the appropriateness of certain parts of the film, most notably Nigels funeral and his grieving family, and finally, the relationship between Watson and his subjects. There are only so many times we would need to see this clip before it becomes useless to the narrative, and is only trying to evoke fear in the audience as they start expecting, or even demanding, for the situation to suddenly become worse. Probably. However, there is a clear relationship change when we see Watson come to Vandas house for the first time and through his camera both Watson and we, as the audience spectate that she is noticeably drunk and has brought herself another bottle of vodka. It is not a pleastant sound. Rain In My Heart is a documentary that is observing four alcohol abusers Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 from the impoverished Medway towns of north Kent. It is obvious that this documentary was extremely influential to those who have seen it, I have attached a link below of a Facebook page a viewer has made (who obviously has personal issues and experience with alcoholism). Watching Rain in my Heart was a particularly harrowing and educational experience for me as a viewer. Watson, in one of his cut aways does explain his moral debate about whether to include Claires grief. In making Rain in my Heart I would need to film people with troubled psyches; people within which gremlins and monsters lurk producing psychological pain and miseries, miseries that often push them to self-harm. However, this scene does give greatest insight in to why Vanda is an alcoholic, and given the nature of the documentary, this is a critical point that must be conveyed to the viewer to give most depth to the understanding of alcoholism. Directed by. He is good at capturing facial expressions and touching moments, though he constantly replays repeated footage to create a moment. There are many intimate moments within the documentary, such as the funeral of one of the subjects that had passed due to the abuse of alcohol. All the footage that was quite hard to watch did, however, make the film much more real for me. When telling Vandas story, I felt he was very close to her, almost to the point where it could be seen as a personal relationship. There are a few scenes that stand out as being the most exploitative. Watson even edits in clips of himself discussing how he felt when seeing his subjects cross back to alcohol, he states I lost that remoteness that I have as a filmmaker I get emotionally involved with people but I manage to stand back and observe and I get a lot of critism for that. Critics also believe that the tragic scene of when Nigel dies in front of the camera is too much to be shown to the public eye and that he took full advantage of the emotional situation for his own benefit. However, Watsons humanity and compassion shines through. Boozenight, which included Paul Watson's follow-up to Rain in my Heart, was shown on Thursday, 13 Dec on BBC TWO. Paul Watson. I particularly found the way that Watson asked questions respectable, when talking about the monsters in Vandas head she stated she didnt want to talk about it and he was reassuring and moved the conversation away from them. https://www.youtube.com/watch?v=jjy8Z1hK2wY fromSchindlers List, Set to music, shot in thegorgeous shadows of black and white, and perfect balanced frames. This powerful documentary from fly-on-the-wall pioneer Paul Watson provides a raw account of four alcohol abusers from the impoverished Medway towns of north Kent. My beautiful wife, Denise . No need . It may be their escape from their issues, and what I think is also important to keep in mind is that if they are using alcohol for this reason, then it could have easily been any other drug. That he doesnt so anything to stop them drinking is a part of their own agency, and I believe shows more respect than if he had intervened. In life, many people depend on rain for their livelihood and more. By making such a real and baring all film, he is raising awareness about the reality of alcoholism and hopefully opening the eyes of alcoholics watching it and even doctors watching it, who can see how to help alcoholics in earlier stages. Rain in my heart; rain on the roof; And memory sleeps beneath the gray And the windless sky and brings no dreams Of any well remembered day. Frank SinatraCycles 1968 Frank Sinatra Enterprises, LLCReleased on: 1990-01-01Producer: Don C. This stuck with me throughout Rain In My Heart, a film which I found pretty difficult to watch. (2006). Watson himself has said that he received criticism for not helping his subjects; this could be an argument of him exploiting his subjects. The question of the ethics of filmmaking is clearly something that is troubling to Watson. This is a scene which perhaps does challenge the idea of ethics by posing the question of how FAR can we go to observe? 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